Tofu_Lewis

joined 4 years ago
[–] [email protected] 2 points 4 weeks ago

Whenever Voyager comes up, and especially when Janeway comes up, I feel obligated to share my unpopular opinion: the introduction of 7 of 9 and the Borg totally fucked up the show.

Season 1 is pretty rough (as per usual for Star Trek); Season 2 is better and has some real bangers mixed in with a couple stinkers; Season 3 really hits a stride and all the cast have good chemistry and lots of good episodes .... then they introduce 7 of 9 and the Borg and it goes off the rails. Season 4 is incredibly bad, and it's super obvious that Kate Mulgrew hated the introduction of 7 of 9. Janeway's character starts becoming EXTREMELY inconsistent and the writers just rehashed the plots to a bunch of Data's storylines. Seasons 5 and 6 are alright (but some kind of magic and chemistry of the early seasons are gone), and Season 7 experiences the same dip in quality due to general fatigue of everyone involved.

Season 3 really was the peak (before Borg intro at the end), where all the crew's characters and their relationships are really getting fleshed out, but the writers just stopped giving a shit about all of that development to play with their shiny new toy (7 of 9).

Blame it all on the booba - the showrunners saw flagging ratings and wanted the neckbeard viewership at the cost of any kind of internal consistency (they dropped the "lost in space scrounging for supplies" narrative, the science-babble went through the roof, and all problems became trivial in the face of 7 of 9's super-brain and/or nanobot-blood).

I still love Voyager because it is very comfy, but I will always maintain that it could have been so much better without the Borg and 7 of 9.

*I should note that there were a couple of earlier Borg episodes that were awesome, like the detached Borg colony that makes a new hivemind on a planet

[–] [email protected] 2 points 2 months ago (1 children)

So give me a break, I just read some Le Carre, but I think that there was some kind of rapprochement that existed between the West and the USSR throughout the Cold War that really enabled the Chicago School brainrot to take hold while there was no similar effort to establish a similar relationship with China. It might be trite, but the Oriental-Occidental mental block probably prevented the West from even considering capitalist ideological infiltration.

[–] [email protected] 1 points 2 months ago

I just responded to a one-month-old-comment of my own :-\

[–] [email protected] 1 points 2 months ago (1 children)

A few years ago I went to Tempe to visit a friend and every-time we ventured outside of Tempe I was confronted by Yakub's most devilish creations.

[–] [email protected] 2 points 2 months ago

The law-brain-nerds at r*ddit have been debating the use of AI in the legal professions and some have made the earnest argument that: "Well yes it fabricates cases and lies to you, but it's a great tool to use as a jumping-off point!" Staggering to behold.

[–] [email protected] 1 points 2 months ago

These bozos never read Heinlein's Revolt in 2100 collection and it shows.

[–] [email protected] 0 points 3 months ago (3 children)

Phoenix is a contradiction.

The desert is beautiful, but the people inhabiting that space are....

This city should not exist, it is a monument to man's arrogance.

[–] [email protected] 33 points 5 months ago

Actually it was great. But I acknowledge your incorrect opinion.

[–] [email protected] 8 points 8 months ago

The success of the 9/11 attacks cannot be understated (see Jean Baudrillard's The Spirit of Terrorism).

After a supposed victory over an ideological opponent (USSR), the US engaged in building the "rules based international order" and, after a frenzy of neoliberal export (Bosnia), began to show rot. The cultural angst of the late 90's - unintentionally enunciated in Fukiyama's "End of History" - reflected the hollow promise of the capitalist vision.

The 9/11 attacks forced the contradictions of this aimless and self-destructive impulse into overdrive and spawned an unfocused frenzy of jingoism which served to mask the profound disquiet festering at the core of the American psyche.

That ideological bankruptcy has forced into focus the fundamental inability of capitalism to build a resonant faith in structural stability and justice.

[–] [email protected] 9 points 8 months ago

I know this is the most tired of tropes but ... Wiemar liberals reborn.

42
submitted 8 months ago* (last edited 8 months ago) by [email protected] to c/[email protected]
 

Amazing. Incredible.

How could you deny this perfect pokemon? Are you stupid?

EDIT: You're not stupid, I just like it so much - so cute.

17
submitted 9 months ago* (last edited 9 months ago) by [email protected] to c/[email protected]
 

Are you kidding me? This 'mon is a workhorse of hp absorb and dealing damage.

In Violet they wreck the opposition. Hidden OP.

Yes, I have a foil cardboard copy.

EDIT: Okay, Grass Flying type??? But in Violet they get Dragon type moves ... interesting

 

The Grass pokemon are the cutest, what are your favorite grass pokemon?

Also, is Grass competitive in the current meta?

 

Very sleek stuff, but reading the analysis gives bad vibes - what is their deal? Trot stuff? Can someone give me a good workup (I'm lazy)?

4
submitted 2 years ago* (last edited 2 years ago) by [email protected] to c/[email protected]
 

A nation is a historically constituted, stable community of people, formed on the basis of a common language, territory, economic life, and psychological make-up manifested in a common culture.

It goes without saying that a nation, like every historical phenomenon, is subject to the law of change, has its history, its beginning and end.

https://www.marxists.org/reference/archive/stalin/works/1913/03a.htm

 

Some good shit.

"Massacre at Central High (released as Blackboard Massacre in the UK) is a 1976 American thriller film directed by Rene Daalder and starring Derrel Maury, Kimberly Beck, Robert Carradine, and Andrew Stevens. The plot follows a series of revenge killings at a fictional American high school, after which the oppressed students take on the role of their bully oppressors. Despite its title, it is not a slasher film but an unusual blend of political allegory, social commentary, and low-budget exploitation; with the exception of the final sequence, no "adult" characters (such as teachers and parents) are seen.

It was shot on 35mm film, and has a running time of 87 minutes.

The film's director, Rene Daalder, described Massacre at Central High as "eerily predicting punk and Columbine". It has also been cited as a possible influence on the 1988 black comedy Heathers."

 

Credit to https://hexbear.net/post/640651 for the image.

3
The Batman - Sleepy Time (encrypted-tbn0.gstatic.com)
 

The color palette just makes me so sleeeepy. And it feels like an attempt to emulate Villenevue's laconic style.

Movie could have been good if not for the third act.

 

A sinecure of understanding

 

Reading about the international invasion of Russia during the civil war and the introduction ends:

"Soviet and Russian interpretations generally exaggerate the role of the Allies in the Civil War and allege they intended to partition Russia. "Overall the extent of allied intervention during the civil war was minuscule and inconsequential", according to Flake (2019)."

Over 200,000 foreign troops invaded Russia. The only reason it was "inconsequential" is because the Reds kicked ass. To be fair, the rest of the entry gives additional context, but still, shit's wack.

0
Tuvix (static.wikia.nocookie.net)
 

Just rewatched this episode. Damn.

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