HarryOru

joined 2 years ago
MODERATOR OF
njz
[–] HarryOru@lemm.ee 4 points 1 month ago

As a Spotify direct replacement you can go with YouTube Music.

[–] HarryOru@lemm.ee 3 points 1 month ago

Favorites:

  • Veronica Mars (just the perfect match for the show's vibe and a damn catchy song)
  • Fringe (loved how they used it later in the series to match the universe/time period the episode was set in)
  • True Blood (a classic, wish the show matched its atmosphere beyond season 1)
  • Jessica Jones (so underrated)
  • Severance (extremely creative and memorable)
  • Stranger things (hate the show, but the intro is undeniably brilliant in its simplicity)

Honorable mentions:

  • Yellowjackets (fun!)
  • Dexter (love the concept, hate the song)
  • The 100 (after a basic title card in season 1 they actually added an intro for the rest of the show, with the content changing to match the theme and setting of each season)

I can't really think if any "worst" ones although in general I don't like when shows only do static or just very low-effort title cards. Some examples that come to mind are Breaking Bad and The Boys.

[–] HarryOru@lemm.ee 3 points 1 month ago

I think for me it's not so much the amount of episodes but how they are released. Most of my favorite shows have varying amount of episodes per season but they all were released weekly over several years or at least months. And I've come to the realization that the reason why I can't grow attached to modern shows the same way I could with 90s-00s and early 10s television is that binging 6-10 episodes over a couple of days once a year just isn't the same kind of experience and emotional investment as following a group of characters and a plot week by week over several seasons, literally growing up with them and the story.

I'm not saying today's model is all inherently bad but I personally often miss that kind of old-school television where reaching over a 100 episodes was almost the norm for even semi-popular shows. I wish they could coexist.

[–] HarryOru@lemm.ee 9 points 3 months ago (1 children)

No OLED screen at that price point was the deal-breaker for me.

[–] HarryOru@lemm.ee 6 points 3 months ago

I'm interested in getting a foldable eventually, but I think it's still too soon and too costly.

[–] HarryOru@lemm.ee 16 points 3 months ago

Not sure Im for invading Russia directly unless they attack a Nato member.

I'm pretty sure that's exactly the attitude Russia is counting on. Personally I think it's time we start treating propaganda and disinformation aimed at destabilizing other countries as literal acts of war on par with physical attacks.

 

original post

translation by @juantokki

(03.26) The NJZ fandom Bunnies announces its unwavering support for the members and their decision not to continue with HYBE and ADOR.

On March 23, during the Hong Kong Complex concert, Minji, Hanni, Danielle, Haerin, and Hyein announced that they would temporarily halt their activities in compliance with the court’s decision. Team Bunnies fully supports and stands by the members’ choice.

Following the court’s ruling, there has been a spread of misunderstandings and misinformation due to varying levels of comprehension among fans. To prevent further confusion, Team Bunnies has compiled responses to some of the most frequently asked questions. These answers were prepared with legal consultation from multiple attorneys, and sensitive information was carefully filtered to avoid any negative impact on the upcoming trials.

Q) How long will the appeal process take?

Some fans mistakenly believe that the members’ activities will be suspended until the final ruling in the main lawsuit or that the appeal process will take a long time. However, the objection process (the legal procedure to contest the injunction) and the appeal hearing are still pending. With a request for an expedited hearing, the decision could come sooner. If the legal process proceeds without delay, the appeal ruling is expected around late May to early June of this year.

Q) Why wasn’t an immediate appeal filed?

According to legal procedures, an appeal can only be filed after an objection to the injunction ruling has been submitted and resolved. Since the same court reviews the objection, there is a high likelihood that the same conclusion will be reached. Therefore, the goal is to swiftly complete the objection process and immediately proceed with the appeal, which will be handled by a different court.

It is anticipated that some people may misinterpret the outcome of the objection as the final verdict. However, since the objection is reviewed by the same panel of judges, the ruling is likely to remain unchanged. Bunnies are encouraged not to be misled by this.

Q) What is the essence of this case?

At its core, this case concerns the termination of the exclusive contract, which inherently requires a high level of trust between the parties.

As cited in the court’s decision, the Supreme Court of Korea previously ruled that:

“An exclusive contract, by its nature, requires a high level of trust between the parties to achieve its purpose. The obligations of exclusive activities imposed on the artist cannot be fulfilled by anyone else. If the trust between the parties is broken, forcing the artist to continue exclusive activities against their free will would excessively violate the artist’s personal rights. Therefore, when the trust is irreparably damaged, the artist has the right to terminate the exclusive contract.”

This legal precedent highlights that the essence of this case is the members’ right to terminate their contracts due to the breakdown of trust, rather than merely a contractual dispute.

Q) Lack of Comprehensive Judgment

In its recent ruling, the court acknowledged several key facts, including: •HYBE’s CEO telling NewJeans they would be given a “1 year and 6 months long vacation.” •HYBE’s PR team making disparaging remarks to reporters, stating that “NewJeans’ Japanese album isn’t selling well.” •A conflict arising between NewJeans’ MV production company and ADOR immediately after ADOR’s CEO was replaced. •The presence of the phrase “discard New and start over” in a HYBE internal report. •Similarities between HYBE’s plans for other groups and NewJeans’ concepts and photoshoots. •NewJeans’ trainee photos and videos, which were internal materials from Source Music, being leaked to Dispatch.

However, when evaluating the exclusive contract and trust relationship, the court failed to consider these incidents as a whole, instead assessing each one in isolation. Rather than interpreting the “1 year and 6 months long vacation” offer, the PR team’s disparagement of NewJeans, the conflict with producers after ADOR’s leadership change, and the incriminating HYBE document as collectively indicative of a broken trust relationship, the court viewed each event separately and deemed them insufficient grounds for contract termination on their own.

In the objection and appeal process, the legal team plans to present the full context and sequence of events comprehensively, which could lead to a significantly different outcome.

Q) ADOR’s Legal Personality and Formalistic Logic

The court accepted ADOR’s injunction request, reasoning that since “ADOR under Min Hee-jin’s leadership” had already taken corrective actions, the company itself was not at fault. The court interpreted Min Hee-jin’s protests as ADOR’s official objections, effectively treating her personal stance as ADOR’s corporate position.

However, this fails to address the core issue, which is Min Hee-jin’s dismissal. The essence of the dispute lies in the difference between ADOR before and after her removal. Given the questionable legitimacy of Min Hee-jin’s dismissal, the court’s ruling appears overly focused on the formal legal identity of ADOR as a company, while overlooking the significant distinction between the former and current leadership.

Additionally, while each incident might seem minor in isolation, when viewed collectively, they reveal a pattern of continuous mistreatment. The court recognized the factual basis of these incidents but failed to consider them as part of HYBE’s systematic efforts to oust Min Hee-jin and restructure ADOR’s management with HYBE personnel.

In the upcoming legal procedures, it will be essential to clearly present this broader context and how the corporate restructuring directly affected NewJeans and their creative direction. The short duration of the injunction hearing made it difficult to thoroughly assess the cumulative impact of these events, which will need to be addressed moving forward.

Q) Impossibility of Fulfilling the Contract’s Purpose

ADOR’s current management argued that since NewJeans is its only artist, the company’s very existence would be jeopardized without the group. As a result, ADOR filed for an injunction to suspend NewJeans’ activities.

However, if ADOR’s current leadership truly viewed NewJeans as critical to the company’s survival, their timing and manner of dismissing Min Hee-jin—the person who was instrumental in NewJeans’ success and growth—becomes even more inexplicable.

As the court itself acknowledged, “ADOR was founded solely for NewJeans’ activities, and NewJeans is its only artist.” Furthermore, it was Min Hee-jin who founded ADOR and was responsible for NewJeans’ overall production and creative direction.

Nonetheless, the current ADOR management dismissed Min Hee-jin without prior consultation with the members. This sudden leadership change halted all plans for NewJeans’ activities, including their upcoming album, domestic fan meeting, and world tour preparations.

HYBE and ADOR’s abrupt dismissal of Min Hee-jin—during the crucial third year of the group’s career—further raises concerns. They replaced her with a HYBE HR executive with no experience in the entertainment industry, a decision made without consideration for the group’s artistic continuity. However, the court treated these incidents in a fragmented manner, failing to account for their collective impact.

If ADOR’s current leadership had genuinely dismissed Min Hee-jin for pure business reasons, they should have: 1.Acknowledged her close bond with the members. 2.Recognized her as the key figure behind NewJeans’ planning and growth. 3.Considered her dual role in producing and managing the group. 4.Understood that many directors and producers who collaborated with NewJeans did so out of trust in Min Hee-jin, and were unwilling to continue working with ADOR without her.

They should have engaged in prior discussions with the members regarding the timing, manner, and contingency plans for the leadership change to preserve trust.

Instead, the court viewed HYBE’s offer for Min Hee-jin to continue in a production role after her dismissal as proof that she voluntarily chose to step down. However, this overlooks the coercive and disingenuous nature of the offer. Despite her repeated requests to maintain the existing creative structure, HYBE dismissed her concerns and presented her with a production contract containing unfair clauses, raising doubts about the sincerity of the offer.

This will be a key point of contention in the subsequent legal proceedings, where the true nature of the offer and the dismissal process must be thoroughly examined.

Conclusion:

The recent court ruling was merely a provisional injunction determining the temporary legal status—it is not the final decision. However, despite this, some media outlets have already begun publishing critical articles against the members, fueling negative press. Even though this media smear campaign has persisted for days, HYBE and ADOR have taken no action to protect the members. This alone reveals the harsh reality of the current situation.

It is deeply regrettable that key contexts and evidence were either overlooked or insufficiently presented in the initial ruling. However, as explained above, many crucial contextual factors were not reflected in the decision. Given the complexity of the case, it is understandable that the court may have struggled to fully grasp all the nuances during the short period of the injunction hearing.

After consulting with multiple attorneys, Team Bunnies believes that the appeal process could lead to a different outcome. This is because the Supreme Court precedent on exclusive contracts—emphasizing the “high level of trust” required—was not adequately considered in the initial ruling. If the appeal court thoroughly examines the case with this precedent in mind, it will recognize that forcing the members to continue exclusive activities in a broken trust relationship severely violates their personal rights and renders the contract’s purpose unachievable.

A Message to Certain Fans:

Lastly, Team Bunnies has received multiple reports regarding the behavior of certain fans. We want to make it clear: Team Bunnies does not sympathize with fans who prioritize their own emotions over the members’ personal rights and wishes.

The members endured persistent mistreatment while working under HYBE. For instance, although it may seem trivial to outsiders, the incident where a board chairperson ignored the members’ greeting symbolized the contempt and disregard they faced within the company. Knowing how relentless belittlement can make a person feel utterly dejected, we, as fans, cannot help but share in the members’ pain.

The members have repeatedly expressed that they were not treated as equals within HYBE. They clarified that this legal battle is not a strategic game but rather a necessary fight to protect their human rights.

As fans who love and prioritize the members above all else, Team Bunnies declares that we cannot stand with a company that refuses to treat the members as equal human beings—not even for a second.

Throughout the past year, Bunnies have witnessed how HYBE’s smear campaigns and malicious narratives relentlessly targeted the members. This is why we stand by them even more firmly.

Those who do not share this conviction can no longer be considered Bunnies. Should they choose to act independently, their actions do not represent the collective will of the fandom.

We are concerned that their reckless and selfish behavior may once again make the members targets of media manipulation.

As the NJZ fandom, Team Bunnies will continue to raise a strong and unwavering voice of support for the members.

Team BUNNIES

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submitted 3 months ago* (last edited 3 months ago) by HarryOru@lemm.ee to c/kpop@lemmy.world
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submitted 3 months ago* (last edited 3 months ago) by HarryOru@lemm.ee to c/njz@lemm.ee
 

Hey everyone! Welcome to the Lemmy space dedicated to K-Pop group NJZ (formerly known as NewJeans).

This community is here for fans to connect, share news, updates, photos, videos, fan art, theories, and anything else related to the group. Whether you’ve been a Bunny since the early days or just discovered NJZ, you’re in the right place.

Feel free to introduce yourself, share your favorite NJZ era or performance, or just drop in to say hi! Don’t be shy about suggesting post ideas or other improvements.

Please don't forget to check the rules in the sidebar, and remember: NJZ NEVER DIE! 🩷💛🤍💚💙

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submitted 3 months ago* (last edited 3 months ago) by HarryOru@lemm.ee to c/njz@lemm.ee
 

The instrumental was made from the official teasers, by Reddit user u/Can1234321

Vocals from ComplexCon performance fancams

[–] HarryOru@lemm.ee 2 points 3 months ago

Mostly agree and I wish they'd done more with the meta elements. Still, I find that Grady Hendrix is always a fun, easy read.

[–] HarryOru@lemm.ee 11 points 3 months ago (1 children)

You're clearly giving it too much thought. It's just stupid, blatant lies. There is no point in entertaining them or even questioning them.

[–] HarryOru@lemm.ee 3 points 5 months ago

you know who overwhemlingly didn't vote for Kamala Harris, "progressive" leftists who wanted to protest Jews in support of Islamofacist terrorists.

Thank you for saying this. Tolerance paradox paradoxing hard; I will never understand those people and their naive, stubborn black-and-white thinking.

[–] HarryOru@lemm.ee 2 points 5 months ago (1 children)

That is absolutely not surprising, it's clear that this group absolutely worships the guy, and clearly he enjoys the attention. But to say this proves the narrative in the post or that he's directly involved is still a huge stretch without actual evidence.

People should definitely be made aware of the dangers both a16z AND ai16z pose, but not by buying the conspiracy theories they're spreading around to further their interests.

We've seen shit like this happen in crypto again and again and again. Every shitcoin and crypto fad comes with its own purported vision of the future it's supposedly powering, with Bitcoin it was financial privacy and independence from traditional currency, with NFTs it was a utopia of creative ownership, with the metaverse it was a virtual capitalistic reality, with this it's apparently some crap about accelerating progress through social engineering (basically disinformation). But really, what they're most likely going to do, is to use chatbots to scam people into buying their coin. Because that's all this is about.

I need to reiterate: that Substack post is literally an ad. The person claims to work for Twitter but also claims to have been provided the tool externally by Andreessen (it describes Eliza as some sort of mysterious highly advanced technology: it's not) and then also claims to have the authority to leave publicly available "breadcrumbs" in the code of Andreessen's tool? And then they also claim to be a junior dev who doesn't understand the technical side of it, but also claims to have worked at Twitter on a H1B visa? Closely enough to Musk to be enrolled in this high level illegal conspiracy against the public? It's literally badly written fiction.

[–] HarryOru@lemm.ee 17 points 5 months ago (8 children)

It's a crypto scheme, they're using this AI agent project to promote their coin. This is what crypto schemes do all the time, claiming that their coin is powered by or is powering whatever latest tech buzzword thing. Few years ago it was NFTs, then the metaverse, now it's AI agents. It's also extremely common for them to claim to be affiliated or funded by Elon Musk, for obvious reasons.

AI agents, especially if used like the project creators are implying through this fabricated narrative, are absolutely a threat to society. But that still doesn't mean that this narrative isn't fabricated.

Please, please, please, don't believe everything you read on the internet. Fact check everything, especially everything that sounds too good or too bad to be true. This is exactly how we got into the situation we're in today, and our ability to verify information is exactly what they're trying to take away from us.

We all saw relatives, friends and coworkers turn into conspiracy theory spouting zombies back in 2020, as they were willing to believe literally every piece of disinformation they were exposed to as long as it aligned with their fears. Then we saw many of those same people continue to spiral further into the alt-right's destructive narrative and propaganda. We must NOT fall into the same trap. The war that we're all fighting in today is a war for the meaning of truth.

[–] HarryOru@lemm.ee 3 points 5 months ago (4 children)

I did a bit more research into this.

You're confusing a16z (Marc Andreessen) with ai16z (the people who made this and claim affiliation with Marc Andreessen). It's a crypto scheme, they're using this AI agent project to promote their coin. This is what crypto schemes do all the time, claiming that their coin is powered by or is powering whatever latest tech buzzword thing. Few years ago it was NFTs, then the metaverse, now it's AI agents. It's also extremely common for them to claim to be affiliated or funded by Elon Musk, for obvious reasons.

AI agents, especially if used like the project creators are implying through this fabricated narrative, are absolutely a threat to society. But that still doesn't mean that this narrative isn't fabricated.

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