DerisionConsulting

joined 2 years ago
[–] DerisionConsulting@lemmy.ca 13 points 1 month ago (1 children)

While opt-in polls cannot be assigned a margin of error

Basically, these numbers don't really count for anything.

[–] DerisionConsulting@lemmy.ca 4 points 1 month ago (1 children)

Fuck the hellhole that is Alberta, but they don't have the most cases in Canada.

[–] DerisionConsulting@lemmy.ca 3 points 1 month ago* (last edited 1 month ago) (2 children)

Everything we do is kinda shitty and bad. My shirt was bought from a mega corp that kills local economies, a sweat shop or child labour was probably involved at some point, the cotton in it might have been farmed using slave labour, I could go on, but we both know that the clothing industry is shitty all the way down. I can't go to work naked or grow my own cotton, so I try to be less-bad in other ways. I choose to eat in a way that’s less-bad for the environment, and doesn't directly profit from killing animals.

[–] DerisionConsulting@lemmy.ca 23 points 1 month ago

No, people like to pretend that using linux is hard for some reason.

It's not 2003 anymore.

[–] DerisionConsulting@lemmy.ca 1 points 1 month ago

Your formattingis broken.

[–] DerisionConsulting@lemmy.ca 46 points 1 month ago (8 children)

People use them to make their generators power their homes, by adding power into an outlet.

So, whatever time of year power outages are likely to happen in this area.

[–] DerisionConsulting@lemmy.ca 4 points 1 month ago

I think that the points that DWS brings up are quite good.

If we ignore all of the "rights and freedoms" based arguments, "Why are we spending money to forcing people into treatment, when people who actually want to get into treatment can't, because of a lack of money?" is still quite damming of the program.

If someone wants to get clean, they are much more likely to actually stay clean than someone who was forced to. It's not a one-and-done process. If you don't have supports and tools set-up, relapse rates, even if you want to be clean, are quite high.

If the goal is to reduce the amount of drug users, putting the money to help people who want to be helped would go much further.

[–] DerisionConsulting@lemmy.ca 3 points 1 month ago

If a savory dish doesn't have msg, it's probably wrong.

[–] DerisionConsulting@lemmy.ca 4 points 1 month ago

They edited the title, and it's still not the original title for the article.

[–] DerisionConsulting@lemmy.ca 8 points 1 month ago (1 children)

That transcript is for "Is Alberta headed towards a separation vote?". The transcript you want should be at the link below, but it looks like it's empty.
https://www.cbc.ca/radio/frontburner/canada-has-a-measles-problem-transcript-1.7536652

[–] DerisionConsulting@lemmy.ca 5 points 1 month ago (1 children)

The position of the arms matches the position of the people in Loss.

 

M1 A1 is a tool of war.

Both songs also have the name of the band in the song several times.

 

Transmission --> Radio.

Also, it's the first word in the song.

 

So, Dario's first Album, which this song is on, went gold.

...that's it.

12
submitted 1 year ago* (last edited 1 year ago) by DerisionConsulting@lemmy.ca to c/connectasong@lemmy.world
 

The White Stripes once did a secret concert on a transit bus, in Winnipeg.
The setting of one of the verses of this song is a transit bus, in Winnipeg.

 

Alexis Baro played trumpet on Agua, Cangrejo y Sal.

 

If you look at the communities tab and sort by new, more communities there have 0 posts than have more than 10 posts. It seems like people are just making communities for the sake of having something to control, without any interest of actually contributing. Often times the communities are opposing, so it's not as if the mod actually has knowledge or an interest in all 6 sides.

Is there any discussion behind the scenes on a way to curb this. or is this not a concern at this time because lemmy is still small?

 

____ it.

 

Both use a "k" to misspell word(s).

13
submitted 1 year ago* (last edited 1 year ago) by DerisionConsulting@lemmy.ca to c/connectasong@lemmy.world
 

From the album "Mouth Moods," part of Neil's series exploring the ways to mash songs together, through the lens of Smash Mouth's effect on meme culture.

 

Grandma = gramma

 

One song is about not being able to "dance" after cheating because you realized things need to end. This song is about dancing again while getting over a relationship that had already ended.

 

cross-posted from: https://kbin.social/m/lgbtq_plus@lemmy.blahaj.zone/t/954958

Joewackle J Kusi was finishing his film Nyame Mma when an anti-LGBTQ+ bill was passed, bringing the threat of prosecution for those ‘promoting’ queer stories

Arare Ghanian film featuring a queer main character could not have been released at a worse time for its director and cast. Joewackle J Kusi was making finishing touches to his short film, Nyame Mma (Children of God), and arranging screenings in the capital, Accra, when a piece of legislation passed through Ghana’s parliament, targeting LGBTQ+ content.

According to the bill approved in late February, those involved in the “wilful promotion, sponsorship or support of LGBTQ+ activities” will face jail sentences of up to five years. The legislation, awaiting presidential endorsement before it becomes law, also stipulates a prison sentence of between six months and three years for those found guilty of identifying as LGBTQ+.

Kusi says the bill’s passing forced him to cut the schedule short, to just one private screening for prominent art and film figures. It was shown on 6 March, Ghana’s independence day, at a venue in Accra, but Kusi has no idea if it will ever reach a wider audience.

“I was nervous, I was anxious because of the bill,” Kusi says. “The safety of my cast and crew kept me up at night.

“We considered that it was safer to just have one night. We didn’t go big because it didn’t feel safe to screen a film with a queer character in Ghana around the time this bill was passed.”

Nyame Mma tells the story of Kwamena (played by Kobina Amissah-Sam), who moves away from home to live in Bolgatanga, a town in northern Ghana, because of family friction over his sexuality. After the sudden death of his father, the 30-year-old queer man returns home to Sekondi, in the country’s south-west.

There, he meets his estranged lover, Maroof (played by Papa Osei A Adjei), who, under intense societal pressures, is about to marry a woman. Kwamena is left grieving not just for his father, but also the loss of Maroof.

In a touch of magical realism, Kwamena, in a dream sequence, meets his father in the afterlife. The film also alludes to Sekondi’s annual masquerade – the Ankos festival – with spirits featuring in surreal episodes.

“Some of the stories we are going to tell are going to be heavily impacted by the bill. It’s stifling to creativity,” Kusi says.

“When this film goes out there at the right time I could spend four to five years in prison because I made a film that acknowledges and highlights marginalised and queer stories.”

The bill, he says, is in contrast with Ghana positioning itself as a tourist destination, particularly after its 2019 Year of Return initiative, designed to encourage the diaspora to come back to the country.

Based in Accra, Kusi, 31, studied broadcast journalism and mass communications at the Ghana Institute of Journalism. He worked as a writer and producer at a local television network before losing his job during the pandemic which led him to focus on film-making.

One of his first major productions was a well-received audio drama called Goodbye, Gold Coast, telling the love story of a Ghanian schoolteacher and her European lover on the eve of Ghana’s independence in 1957..

Finding actors willing to play queer characters was a major challenge during Nyame Mma’s production. Kusi choose straight actors because “if I had to cast queer actors then they would have to go in hiding”.

“People read the script and said beautiful things about it but said they can’t act the role,” he says.

“Growing up, every single time I have seen a queer representation in a Ghanian film it’s been in negative light. You’ll see them at the end of the film giving their life to Christ, or they’re probably on the bed dying from some STDs. I felt that shouldn’t be the only real representation, so I tried to create positive characters.”

The existing colonial-era gay sex law in Ghana, which carries a prison sentence of three years, has recently led to arrests. In 2021, a group of 16 women and five men were arrested in southeastern Ghana after attending a meeting for LGBTQ+ advocates, in a case that attracted global attention – however a few months later they were acquitted.

“The [new] bill is targeting and criminalising all aspects of nonconformity,” Kusi says.

Human rights groups have been urging the president, Nana Akufo-Addo, not to sign the bill into law. One, Outright International, says it would “lead to a surge in violence and human rights violations against LGBTQ persons in Ghana”, including “an increased risk of mob attacks, physical and sexual violence, arbitrary arrests, blackmail, online harassment, forced evictions, homelessness, and employment discrimination”.

But Kusi points out it is election year in Ghana, and the season for populist policies.

“The only thing that unites Ghanians, no matter what political party, or religion, is homophobia,” Kusi says.

“Homophobia makes it really hard for people to think clearly. It obstructs your reasoning.”

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