looks awesome, I love the character portraits.
I see a suspicous number of em dashes...
Not what I was expecting but seems like a good direction to take it
Dungeon Chill is great
I'd love a game filled with quests and cities like an Elder Scrolls game, but with a Science Fantasy setting like Mass Effect or Star Wars.
I like beat em ups and I love Mahjong. Never thought I'd see them combined.
This post is a bit confusing. I'm not sure how Half Life relates to dodgeball, and I'm also not sure if you are including the Battlefield series, or if you are saying it will be a Half Life battlefield.
Maybe consider a rewrite if you want it to spread.
Finally playing through Death Stranding after watching my SO play through it a few years ago.
Such a beautiful game, great acting, and its suprisingly addicting.
A lot of the multiplayer is asynchronous - you can use structures other players build. My playthrough is a lot more empty compared to his - a lot less people connecting America nowadays.
Moana
I usually watch old blockbusters in the summer
That's awesome. I never liked trapping villagers underground forever
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Wow I thought this was someone posting their ChatGPT outputs like its their own work - I was misled by the awful, ridged style of writing. You inspired me to write a bunch of ways to save Star Wars too! Its crazy how similar they are to yours - just a coincidence I'm sure.
IV. The Republic’s Forgotten Wars Story: Instead of endless Skywalker family drama, the next saga leaps centuries earlier. We follow a rag-tag strike team during a border conflict the Republic would rather erase. No Sith, no Empire—just brutal planetary politics, desperate alliances, and the slow birth of the Jedi as peacekeepers rather than warriors. Why it fixes Star Wars: By showing the Republic when it’s messy and young, we finally escape the Skywalker gravity well. Star Wars becomes a true galaxy, not a family scrapbook.
V. Leia’s Shadow Network Story: Post-Endor, Leia builds a covert intelligence ring made of smugglers, defectors, and reprogrammed Imperial droids. Their mission: prevent the New Republic from becoming the next Empire. The story unfolds like a spaceborne spy thriller—blackmail, double agents, and tense morality plays. Why it fixes Star Wars: Leia becomes more than a figurehead. Politics turns personal and dangerous, giving the galaxy stakes beyond another super-weapon.
VI. The Jedi Schism Story: A generation after Luke’s death, two competing Jedi philosophies bloom: one monastic and ascetic, the other militant and activist. Their clash sparks civil unrest across the galaxy. Both believe they’re saving the Force. Both might be right. Why it fixes Star Wars: Instead of Jedi vs. Sith, it’s Jedi vs. Jedi. The Force stops being a light/dark binary and starts feeling alive and contested.
VII. Darth Vader: The Public Trial Story: Decades after the Empire’s fall, survivors capture holorecordings of Vader’s atrocities. The galaxy demands a posthumous trial. We watch victims, former Imperials, and Luke himself testify—while cultists try to resurrect Vader’s legend. Why it fixes Star Wars: It confronts the moral whiplash of “redeemed in the last five minutes.” Legacy, justice, and memory finally get their day in court.
VIII. The Smuggler King Story: Han Solo never settles down. Instead, he becomes the reluctant leader of a vast underworld coalition—half criminal empire, half mutual-aid network—struggling to stay free of the New Republic’s grasp. Why it fixes Star Wars: Star Wars began as a scoundrel’s tale. Bringing back the outlaw spirit keeps the universe lively and unpredictable.
IX. The Living Starship Story: A bio-engineered craft awakens with sentience mid-battle and bonds with its pilot. Together they dodge capture, hunted as both weapon and abomination. Their friendship becomes a meditation on autonomy and symbiosis. Why it fixes Star Wars: Moves the saga beyond humanoids and droids, exploring what “life” means in a galaxy of machines and monsters.
X. Children of the Force Story: Force-sensitive kids from every corner—farm worlds, slums, imperial remnants—form a grassroots network. No masters, no temples, just scattered youths sharing visions and helping locals. Some heal, some fight, some quietly disappear. Why it fixes Star Wars: Decentralizes the myth. The Force belongs to everyone, not a single bloodline or order.
XI. The Emperor’s Archivist Story: A quiet Imperial librarian survives the Death Star. Decades later, they travel the galaxy reclaiming forbidden art, history, and science before it vanishes. Every planet tells a different truth about the Empire. Why it fixes Star Wars: Turns lore into living, contested memory—rich world-building without another planet-killer plot.
XII. Binary Suns, Broken Hearts Story: On Tatooine, moisture farmers fight climate collapse and corporate exploitation after the fall of the Hutt Cartel. Among them is a middle-aged woman who once dreamed of the stars but stayed. She never meets a Jedi, but she changes her world. Why it fixes Star Wars: Reminds us the galaxy is vast and ordinary lives matter. The Force isn’t required for heroism.