Bugger

The weirdness was so perfect and that personality and flavor is completely lacking in Skyrim. There was so much more variety in items and the unique stuff was great. This really enriched the storytelling and made for a lot of memorable moments. One of my favorites is when you're just walking through the world and an NPC just falls out of the sky, hits the ground, and dies. Then you loot his corpse, get his unique item of super jumping, and probably 99% of players immediately try it out, launch into the stratosphere, and splat like a tomato in exactly the same fashion. Or there were the unique boots that massively increased your running speed, but made you blind. Crafty players could leverage magic resistance to reduce the blinding effect and basically zoom around at superhuman speed with sunglasses on. Magic actually felt magical, compared to Skyrim where it amounts to little past being a source of damage. The system was designed to allow you freedom and find ways to surpass human abilities, and I think the world of the newer games is conversely designed to limit you as much as possible. No spellcrafting, extremely limited enchantments, few summoning options, no levitation, and the scaling system actually disincentivizes leveling. All the gear is essentially the same. It's a tragedy.

Now if you N'wahs will excuse me I have some clouds to yell at.

It's not all bad; as far as I'm concerned Nier Automata had one of the greatest and most compelling soundtracks of all time. I still listen to it on a regular basis and am floored every single time.

You're not the only one. One of my favorite college stoner snacks was uncooked shell pasta filled with peanut butter. Sucking the peanut butter out softens the pasta and then you get a nice starchy finish.

My personal fitness results would disagree, but your mileage may vary. In a day at the airsoft field I spend about 6 hours running with a few kilos of gear and whipping around a yard/meter of gun weighing 6~8 kilos, maybe 15-20 lbs. Just shouldering a gun for a half hour takes a lot more muscle and stamina than one might expect, and aiming around uses a lot of abdominal, back, and oblique muscle. Meanwhile your legs get a colossal workout running between rooms, squatting up and down to dodge, take positions, fire out of windows, etc.

I've been playing regularly, a few times a month, for about 2 years now and while I've definitely gotten in much better shape because of it, at the end of a particularly intense day I still get jelly legs and full body muscle fatigue.

If you're interested most fields offer gear rentals so you can try it out and see how it works for you without having to make a big investment in your own stuff.

Have you tried action sports like paintball or airsoft? They're tons of fun, get the adrenaline and dopamine flowing, and provide both cardio and a solid core workout.

I hate to be "that guy", but 鳥/とり/tori (bird) isn't related to the 通り/とおり/toori (way, road, etc) in the phrase.

Sorry, I must have missed the "no fun allowed" sign, but I'll bite. WB has now shitcanned 3 fully completed or nearly completed films. Then they claim the films are literally worse than worthless, and report all expenses incurred as loss, which lowers their tax burden. This is obviously a system designed to protect business when struggling, but it's a pretty clear example of abuse. The film/media industry in particular has a long and storied history of manipulative, abusive accounting, and there is essentially an entire cottage industry of legal experts who specialize in the art of bending the laws and threading the loopholes for maximum exploitation. There are enough legal smoke and mirrors that film productions can and do fudge absolutely everything remotely financial, often drastically inflating or deflating officially stated costs.

Another part of the problem is how damaging this kind of behavior is to the creators and production staff themselves. When a studio bins something like this everybody loses, except for the corpo leeches moving the beans around. Movie production can have a lot hanging on royalties. Imagine you do a job on a film for a token amount with a royalty component. Then a suit decides he can get a bigger bonus literally burning your movie instead, and suddenly you're out all that time invested and never receive proper or fair compensation for your work. The accountants can say, "Oh, this movie needed effects work, we only paid them with a few pizzas and a promised 1% royalty, now let's project ourselves some massive sales and extrapolate to claim 20 million spent on effects!" and suddenly it's money for nothing (and the chicks for free?) when the taxman comes around and listens to the sob story of burdensome expenses. Again, this kind of shenaniganry has decades of experience weaseling out of nearly all significant oversight or regulation and the corruption is systemic.

This also really sucks for everyone involved, even if they actually do get fully paid, because even a single movie can be several years of work that suddenly became a worthless, unverifieable void on a resume. Truth is, it's easy to rant for hours about the shady stuff going on.

Bringing it back around, the WB games arm hasn't been very good for people either. They've been shoehorning in predatory microtransactions and forcing battlepass style games-as-a-service mechanics in numerous games lately. I realize the devs themselves have no control over these kinds of additions forced from above. However, the catch-22 is that success for these games would only reward and reinforce the MBAs interjecting buzzwords and pulling the strings. So either the devs lose, and their game gets tossed, or the players lose, since management smells blood in the water and doubles down on profiteering mechanics in the next game. Unfortunately, rather than apply critical thinking and conclude that these toxic elements relate to the game's unpopularity, they took to the media playing the world's tiniest violin, vaguely gesturing that the poor devs worked so hard to make good games but the consumers are bad for not supporting them.

This also sucks, which feels bad. Therefore, I leveraged a sarcastic inference relating two morally dubious, greed-driven examples of poor behavior by a wealthy international megacorp trying to paint itself as a victim. Such attempts at humor are sometimes used to make bad feelings turn into slightly less bad feelings, lightening a mood or delivering some modicum of mirth. In some cultures, it might be called a "joke".

If anybody actually knew they probably wouldn't be allowed to do it in the first place.

Hollywood accounting, where everything is made up and the points don't matter!

Yes, how generous of WB to allow it to be released slightly before binning the whole thing for a tax writeoff. How dare we not properly consume and obey!

Seconding this, at first I thought it was obtuse and overly difficult. But once you get a feel for how the synergies work it's amazing. Despite the simple structure it's a much deeper and more mechanically complex game than Vampire Survivors, and you have a lot more control over your builds.

On the other hand it's a positively insidious timewaster. (But isn't that the point?) I certainly never expected to get 100 hours of fun out of it, but that's what happened.

As for FPS, visually simpler stuff is perhaps easier to enjoy on the small screen. I highly recommend Amid Evil if you enjoy classic Quake style shooters. I used it to teach myself how to effectively play shooters with the touchpads, which can be a tough hill to climb but definitely pays off. Don't be afraid to play with the control settings through Steam; personally I run 175% sensitivity, no accel or haptics, with high friction trackball to help quickly change directions. It took a few hours to figure out what worked but once you get a feel for what's comfortable for you personally it only takes a couple minutes per game to dial in the control settings.

The low quality parts thing can't be overstated. The original DS was really the last "Nintendium" quality hardware in my book. The DS Lite had a ton of issues people tend to forget about. Extremely flaky shoulder buttons, yellowed screens, and cracked hinges were not a question of if, but when. Mine lasted about 6 months before the R button stopped working reliably. The first generation 3DS was a step back in the right direction, and mine is still going strong, but the circle pad longevity is dubious and the bottom screen plastic scratches if you look at it wrong. Then came the New 3DS, which looked good on paper but the New 3DS LL was a huge disappointment. The backplate cracks around the screws, the hinge has tons of flop in it, and within a year the paint and coating was flaking off of the top shell leaving a ~2cm patch of bare metal. Then came the Switch, with the lowest quality sticks I've ever seen. Even my Switch Pro Controller drifts like crazy.

Knowing Nintendo the Switch 2 will already be obsolete at launch and power users will get better performance emulating the damn thing on modern hardware instead. Fool me twice, I, uh, won't get fooled again, or something.