Interesting.
I've been looking at rover images for so long now (20+ years without any significant interruption) that I don't even see "beige planet" anymore. It's been long enough that I find non-geologist perspectives like yours kinda refreshing. I hope you don't mind a couple of questions:
- Do images like the one below help with the appreciation part? It's a montage from Perseverance of all the abrasion holes it's made so far. No color processing whatsoever, no artistry, just the raw, sunlit, close-up images.
I'm showing this just so you can see the natural range of colors that get exposed once the ubiquitous red dust gets swept away. Still a lot of orangey-beige at first glance here, admittedly, but the tans, ruby reds and browns really pop in the full-res images.
- Older missions used to use false color images as well as natural color images - often to spectacular effect (see this false color vs. natural color pair from Opportunity). Do you find the false color images more palatable?
Serious questions here. I'm always wondering how science people can convey this stuff better to the broader public. I like your idea about the artists, that's for sure.
I'm as far from being an artist as you can get, but I like what you and supersquirrel are aiming at. As you know, I've been thinking about data visualization and presentation for these missions a fair bit recently. Personally, I find natural color images like this one from the curvilinear unit plenty spectacular and readable as is, but in general, a lot more work needs to be done to convey these missions to people.
If I've learned anything from supersquirrel's point, it's that we need to show multiple perspectives on the landscapes these rovers see. The missions have a natural tendency to do most of their imaging during the middle of the day, but that hazy dusty mid-day illumination is nothing like the sharp lighting that morning and evening shadows bring to the landscape. At the same time, I'm always worried about data/visual overload in these situations...