When newts go a-wooing, sometime in the spring, their signature move is the handstand. Girl newts cluster round to watch, while the boy newts flip on to their creepily human hands and shake their tails in the air. The waggiest newt is the winner, although the actual act of love is a strictly no-contact sport. The male deposits a packet of sperm on an underwater leaf for the female to collect and insert into her own reproductive tract. The whole business is best thought of, says Karen R Jones, as a “sexually charged game of pass-the-parcel”.
This kind of anthropomorphising often strikes naturalists as unscientific or even downright distasteful. But Jones is an environmental historian and her methodology allows, indeed impels, her to start from the principle that Britain’s human and animal populations are culturally entwined. Consequently, we cannot “see” a fox, hedgehog or newt without bringing to it a rich stew of presumptions and fantasy, drawn from childhood picturebooks, out-of-date encyclopedias and, in my case, the 1970s TV classic Tales of the Riverbank, in which small critters say funny things in the West Country burr of .
This pre-knowing can have a radical impact on the chances of a particular species flourishing or going under. Take hedgehogs, which, Jones tells us in this beautifully written book, have been in Britain for the last 15m years. They witnessed the extinction of the woolly mammoth and saw the first humans arrive in Europe. It was at this point that they started to pick up a reputation for general malevolence. Bandit-like, hedgehogs were reputed to sneak into human settlements at night and steal poultry eggs (true) and suck the udders of sleeping cows (almost certainly false). Their ability to munch on toxic toads without getting sick (true) and willingness to ferry any witch who had lost her broomstick (surely very uncomfortable) confirmed that hedgehogs had gone over to the dark side. No wonder that killing them counted as a public service: the records of one Cheshire village show 8,585 hedgehogs destroyed over a 35-year period in the late 1600s.
Film:
Deep Cover (2025) - thoroughly entertaining, especially Orlando Bloom, but not outstanding in the long term.
The Quiet Girl (2022) - beautifully shot and with a great, understated performances. A moving character study.
TV:
Murderbot, Babylon Berlin & Your Friends and Neighbors continue to be as good as ever. Poker Face has gone completely off the wall in season 2, but mostly works.
Sirens picked up a lot after the first episode. It was evidently adapted from a play, and you can clearly see some of the original scenes scattered through it: typically the best ones. There is probably too much filler between them though. Enjoyable overall though.
We watched the first couple of episodes of Sticks. The obvious comparison is Ted Lasso, but whereas TL was a comedy with a sport setting, this one is a dramady about sport. Too much sport and too few laughs or worthwhile character beats. Also, too many scenes and too much dialogue that reminded me of Better Call Saul, but not in the same league.